Showing posts with label condenser. Show all posts
Showing posts with label condenser. Show all posts

12/02/2012

RODE NT1000 Vocal Condenser Microphone Review

RODE NT1000 Vocal Condenser Microphone
Average Reviews:

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I went shopping for a Rode NT1. Rode mics use superb capsules mounted in machined housings you could drive a truck over, and the NT1 is a great mic for male vocals. The guy at the store suggested the NT1000. I recorded myself on both, and there wasn't much difference, but the 1000 just sounded a little smoother. But, the NT1 had a painted finish (may have changed since), made out of aluminum. When you screw the mount on it feels rough, like screwing in a light bulb with an aluminum base. The NT1000, though, feels rich and expensive, a nickel-steel finish (I guess) more like the expensive Neumanns. And when you screw the parts together they feel precise and elegant. It was a hundred bucks more than the NT1, but with the slightly nicer sound, and the much nicer look and handling feel, it seemed worth it.
The only problem I've had with it is weight. It's fairly heavy, and can't be extended very far on my boom stand without falling over.
Great dynamic range, low noise, very detailed.

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11/16/2012

M-Audio Pulsar II Matched Pair Small-Diaphragm Studio Condenser Microphones Review

M-Audio Pulsar II Matched Pair Small-Diaphragm Studio Condenser Microphones
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After exhaustive research, I purchased these for drum overhead recording. Amazing. Smooth high end, incredibly eq-able, low distortion. Better than AKG 451's in my opinion.[...]

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The M Audio Pulsar II small-diaphragm cardioid condenser microphone takes M-Audio's pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, this precision microphone exhibits quality comparable to that of vintage classics. New features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II has many applications, including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking and more. Flexible New Features The Pulsar II can adapt to many recording and live situations. The 12dB/octave high-pass filter reduces low-frequency rumble and the potential for overloading mic preamps with low-frequency signals. The Pulsar II also handles higher SPLs - an overall 2dB boost thanks to a new thermal diaphragm treatment, plus a new 10dB switchable attenuation pad. M Audio Pulsar II Features Professional small-capsule condenser microphone 3/4 inch, 6-micron Mylar evaporated gold diaphragm Solid brass backplate Solid brass body Class-A FET electronics Switchable 10dB pad and 80Hz high-pass filter Wooden storage box houses microphone, windscreen and clip Available as a Matched Pair This Pulsar IIpair is a matched set with only ±1dB tolerance from the excellent published frequency response curves - which extend from 20Hz to 20kHz. This makes the Pulsar II mics ideal for stereo rroom miking, stereo overheads and similar applications where balance

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10/27/2012

Blue Microphones Bluebird Cardioid Condenser Mic Review

Blue Microphones Bluebird Cardioid Condenser Mic
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This microphone sounds very good on everything I've tried it on. Running the mic through a DBX 376 mic pre, I was able to get some great vocals. Though to get a good amount of clarity on the consonants I did have to ask the singer to back up about six inches from the mic. Being close in, the mic just didn't pick up the T and S sounds. With that adjustment, the mic did a good job on vocals ending up with takes the singer and I were both happy with. It didn't blow me away, but it sounded good. I've used it on a combo amp with good results as well as acoustic guitar and mandolin with better results. Not blown away, but overall happy with the way it sounds being a two to three hundred dollar mic.
What I really don't like about this mic is how the look of the design and aesthetics of the mic are clearly more important to blue than the functionality. Getting this thing in and out of the shock mount is a bit of a pain as it threads into it. I just know I'm going to mis-thread the thing once and have to spend another 80 bucks to get a replacement. Also, every time you adjust the angle of the shock mount you really have to crank the small thumb screw to get it to stay into place. I find the thing very difficult to lock into place all for the sake of looking attractive. I find nothing less attractive than poor functionality. Which brings me to the pop screen. I've read plenty of reviews claiming the pop screen was useless. I wouldn't know because the screen that came with my mic doesn't fit the mic. I sent an email off to Blue and didn't hear anything for two weeks, in the mean time Amazon shipped a free replacement, but it had the exact same issue. Blue responded to a second email and they said the last batch of screens was bad. Blue is supposed to be shipping me a pop screen "when they become available", so I hope I'll be getting one.
All in all, it's a good sounding mic for the money. I find it to be on par with my ADK A51. It's not the "crown jewel" of my modest mic collection but a different flavor to use. But I find the functionality of the accessories to be cumbersome at best, and unusable at worst.

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10/12/2012

MXL USB007 USB Stereo Condenser Microphone Review

MXL USB007 USB Stereo  Condenser  Microphone
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As a music director, I bought this for its portability to record concerts in stereo. Just hook it up to a laptop computer (plugs into a USB port) and record away - anywhere! The resulting WAV file is already on the computer ready to tweak in Sound Forge. The stereo sound quality is rich and accurate. We have been very impressed.

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8/10/2012

Samson C02 Stereo Pair Condenser Microphones Review

Samson C02 Stereo Pair Condenser Microphones
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[Edited for usefulness on 11/15]
I can't bring myself to be super-critical of the Samson C02, because in spite of my occasional dissatisfaction it does have a lot going for it. I've had my pair for about a year, and I use them frequently as overheads on the drum kit, on acoustic guitar, and as "room sound" mics for vocals.
For the latter two applications they are adequate, or at least I can't complain. Unfortunately as drum overheads they have been disappointing, and this is what I primarily wanted to use them for. To my ears they sound a little thin and lack presence and clarity, especially on cymbals. I like the overheads to get a detailed overall picture of the drum kit, so that's a drag. Another bummer is that there are no switches on the mic - something like a bass cut or -10dB pad would have been nice. Without a pad switch, putting this mic under a snare drum is a recipe for disaster. Or maybe you could just ask the drummer to play quieter?
So I guess when it comes to small-diaphragm condensers I still haven't found what I'm looking for. The bad news is that the $400-$700 price bracket is apparently where I have to look next. On most of my projects over the last year I have been able to use a famous similar type of microphone made by AKG, and the comparison is not exactly flattering. Of course, a pair of AKG's "Microphone X" costs about ten times what you're looking at here. And maybe we've come to the root of why it's hard for me to say a lot of nasty things about my Samson CO2s. They are so, so cheap for what you get, namely: a pair of condenser mics, two mini shock-mount/mic clips, two windscreens, and a sturdy, padded plastic carrying case. My griping aside, these things do a borderline-acceptable job as overheads, and in other applications (such as acoustic guitar) they are quite useful. I would probably recommend them to beginning engineers, people on a recession budget, or to anyone looking to keep a couple of budget mics on hand. More serious project studios and home recordists might want to save up for something a little nicer.

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2/04/2012

Audio Technica AT2041 Studio Microphone Package Review

Audio Technica AT2041 Studio Microphone Package
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We're using in a church worship service, one for picking up spoken voice and one for picking up an acoustic guitar and variously also our children's choir.
Both microphones work excellently, have nice clear noise-free sound, pick up even children's voices quite nicely without having to overdrive the sound system, and appear to be fairly solidly built.
My only disappointment with them is the AT2020 side-address condenser - I thought that it work as a mic from either side, but it is unidirectional. There was nothing in the advertising telling me that it should work from both sides, it was just an assumption I made, which assumption comes from the fact that I know very little about microphones. Perhaps it's a known fact that "side-address" means one side only, I don't know.
I don't offer that as a complaint, only as a helpful guide in case someone else who doesn't know much about microphones is wondering how it works.
As I said, sound-quality-wise, these are both wonderful, and we're getting another set for the church.

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The AT2041SP Studio Pack offers two versatile 20 Series condenser microphones for use in home, project and commercial studios. Equally at home with digital and analog recording devices, the two included studio condensers deliver remarkable specs and superior build. The critically acclaimed AT2020 side-address condenser is ideal for vocal and instrument applications, while the new AT2021 small-diaphragm condenser is a natural for acoustic instruments, overheads, hi-hat and piano. Audio-Technica's stringent quality/consistency standards set both microphones apart from other mics in their class. Each offers a wide dynamic range and handles high SPLs with ease. An innovative pivoting stand mount is included along with a microphone clip and protective pouches.

Now with SONAR LE The AT2041SP now comes bundled with Cakewalk's SONAR LE feature-rich recording software for musicians using PC-based recording. SONAR LE provides a cutting-edge music production studio, giving users what they need to get started creating music on Windows XP, X64, or Vista PCs.
One-Year Warranty Get extra peace of mind with Audio-Technica's one-year limited warranty on both mics.
What's in the Box AT2020 Side-address cardioid condenser microphone, AT2021 Small-diaphragm cardioid condenser microphone, SONAR LE recording software, stand mount for the AT2020, stand clamp for the AT2021, Two protective pouches

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