Showing posts with label korg. Show all posts
Showing posts with label korg. Show all posts

11/03/2012

Yamaha MOTIF XS8 88-Key Music Synth Workstation Review

Yamaha MOTIF XS8 88-Key Music Synth Workstation
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Before I decided on this workstation, I did extensive research. After a few months of testing this product out at my local music store, and reading reviews online I finally decided this was the one I wanted. I have not regretted buying the Yamaha Motif XS and I'm sure that it will stay with me for years to come.
I use this piano at my house as well as my church. Many of the sounds from this Workstation are very realistic, and that's what I like about it. There are many Youtube videos with sound examples. I also recommend checking out my Youtube video I recently uploaded [...] This video will give you a small preview of the creative power this great product has. Its usable for any genre of music. Don't hesitate to buy.

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10/22/2012

Korg CA-30 Chromatic Tuner Review

Korg CA-30 Chromatic Tuner
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This is a very fine tuner that allows you to tune any instrument, electronic or acoustical, "spot on." For the price I really didn't expect such a nice product. However, after reading about two minutes of instruction, I was accurately tuning my mandolin and guitar. It is very intuitive to use, is battery operated which makes it useful for on the road, and has has such practical features as auto turn off after non-use for 20 minutes so you don't kill your batteries should you forget to turn it off.

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High accuracy and superb functionality have made Korg chromatic tuners the worldwide favorite. And now, the new Korg CA-30 joins the best-selling CA series of tuners. With even more features, like a pitch reference tone and marks for pure major thirds and minor thirds, the CA-30 digital tuner packs basic functionality and convenient tuning functions into ultra-compact bodies.

Wide Range of Pitch Detection This compact chromatic tuner supports a broad range of C1 (32.70 Hz)-C8 (4186.01 Hz), allowing speedy and high-precision tuning of wind, string, keyboard, and other instruments. This hand held tuner is ideal for tuning even low-register notes containing numerous overtones that are often difficult to tune. A high-sensitivity microphone is built-in to this chromatic tuner, allowing easy and accurate tuning of acoustic instruments such as ukuleles. A separately sold CM-100 contact microphone can also be used to send the vibrations directly to the tuner for even more accurate tuning.
Ultra-compact body with a "Tilt Slit" Although the CA-30 is small, thin, and light, don't let its pocket-sized body fool you. The CA-30 chromatic tuner packs the functionality needed for tuning a wide range of instruments. From studio to stage, tuning is easy and convenient. The back of the unit includes a unique arc-shaped "tilt slit" that lets you insert a plastic card for use as a handy stand.
High-precision LCD Meter The meter section uses an LCD needle, combining the accuracy of an LCD with the easy visibility of a needle, and providing a stable display. Additional visual feedback is provided by LEDs that indicate pitch deviation.
Sound Out In addition to visual tuning via meter, the Korg CA-30 can play reference pitches from its internal speaker (Sound Out) for tuning by ear. Each press of the Sound switch will cycle through the A4-Bb4 notes, commonly used for tuning wind instruments. Alternatively, you can hold down the Sound switch to change the cycle to the semitone intervals from C4 through C5 (one octave), allowing reference pitches for any instrument to be sounded quickly.
Adjustable Calibration The Calibration function (410-480 Hz) of this chromatic tuner supports a wide range of standard pitches, and can be adjusted in 1 Hz steps for accurate and flexible tuning to any song or key. Thanks to the Memory Backup function, the Calibration and reference pitch are remembered even when the power is turned off. (However, these settings will be initialized when the batteries are replaced.)
Auto Power Off Function The power will turn off automatically if the unit is left powered-on for 20 minutes without performing any operation, avoiding unnecessary battery consumption.
Approximately 100 hours of Continuous Use Low-power consumption design allows an amazing 100 hours (approximate) of continuous battery life (A4 continuous input, meter mode, zinc-carbon batteries).
Three Year Warranty Korg tuners and metronomes purchased from a Korg USA authorized dealer now have a three year warranty.
What's in the Box CA-30 Tuner, Owner's Manual, Two AAA Batteries

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10/19/2012

Korg X50 61-Key Synthesizer Review

Korg X50 61-Key Synthesizer
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I've owned the x50 for a couple of years now and use it in my home studio. First of all is sound quality. The top of the line Korg series is the Triton keyboards, which cost thousands of dollars (depending on the model). This keyboard uses the same engine, so the sounds are quite similar to the top of the line model. In other words, incredible sounds.
So why is it less than a thousand bucks? First of all, it's not as customizable. Make no mistake, you can still tweak every sound, but it's not as easy or as in depth as the Triton series.
Second are the physical stats: 61 VELOCITY SENSITIVE, but NOT weighted keys. This means that you can still play with dynamic control, but there isn't the feedback one might be used to from a piano. The keyboard itself is very well constructed but mainly plastic. It will surprise you in it's lack of heft, but don't confuse that with cheapness. It's solid.
So why use this? The voices are amazing. I use it in my home studio to backup my guitar. For one song I wrote in a flute solo and then brought in a flautist to learn the song so she could play with me live. She commented on how good the flautist was who recorded for me. She didn't even know it was a keyboard.
The strings, piano and organ sections are particularly strong.
It's great for my studio since I'm not a pianist. It's exceedingly portable so it would be great for gigs too. It's really a great deal since you get thousands of dollars worth of voices for less than a thousand.

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9/25/2012

Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard Review

Novation Remote 25 SL 2-Octave Soft Label USB MIDI Keyboard
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I just purchased the Novation 25 SL used for $130 on Ebay.
I must say it is a great value for the money.
When you use this little keyboard with Novation's Automap software, you can control most DAWs (such as Ableton and even Protools) in a primitive way, not like a full-blown surface controller, but you can use this keyboard to do things such as stopping and starting the transport, etc.
Another great feature is the touchpad, which is great when controlling VST's filter resonances and frequencies at once. You can also control most VSTs synths with Automap, using the various knobs, faders and buttons on the Remote 25 SL.
You can even use this keyboard as a stand-alone MIDI controller, without a computer, and without Automap.
The only drawbacks i can find with this unit are:
1-The LCDs are hard to read when the keyboard is sitting flat. I wish they would have angled the LCDs towards the user.
2-I was laughing when i read about the "Superb 25-key, semi-weighted, high-quality keyboard with velocity- and aftertouch-sensitivity"
I think this has to be some kind of marketing joke, because the keyboard on my Remote 25 SL certainly does NOT feel "superb" "Semi-weighted" or "high quality". It feels light, plasticky and very cheap, like something you can expect to play on a $20 casio synth. As a matter of fact, i opened the unit and the keyboard is not really semi-weighted but uses spring resistance.
But, hey, i didn't expect much for $130.
Anyway, i recommend this nice little keyboard, which is very useful in the studio, but when getting a used one, do not pay more than $150.
btw, this keyboard's successor, the Novation 25 SL mk. II is literally identical: same layout, same plastic shell, same cheap spring loaded keyboard, same buttons, knobs and faders, except the buttons and knobs light up, that is it.
The only difference between both units is are the main cpu board and the board that contains the knobs and buttons. The rest is identical.
The Novation 25 SL mk. II's lit knobs and faders will probably come in handy if you are playing live in a dark club, but i really don't see how this plastic keyboard can stand live playing and touring abuse without getting destroyed.
Not worth $300 in my opinion, specially when you can get a used, real weighted controller for a lot less.

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9/05/2012

Peterson V-SAM Virtual Strobe Audio Metronome Review

Peterson V-SAM Virtual Strobe Audio Metronome
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I am called on to tune harpsichords, and this is often done using unusual temperaments and pitch standards far from A=440Hz. I formerly used the excellent Korg MT-1200, because it could be programmed to any temperament, and because it allowed a very wide range of pitch standards (I often need to tune to A=411, for example). Korg has discontinued the MT-1200, replacing it with the model OT-12, which has most of the same features but is not programmable. When the MT-1200 that I used went bad (its memory chip failed, so it needed to be re-programmed every time I used it, quite a hassle), I went on a search for something else that would do the job.
After consulting with harpsichord players, builders, and other experts, I learned about the Peterson V-SAM. None of my experts had actually used this tuner, but had heard that it was an amazing new device that was great for harpsichords. I called Peterson (for a very long time known as a venerable manufacturer of stroboscopic tuners) and their sales people confirmed that the V-SAM was excellent for this kind of instrument. I let my experts know what Peterson had told me, and so they independently bought V-SAMs at the same time I bought mine.
About a week after I got my V-SAM, I started getting calls from the others. Nobody could make the V-SAM work with harpsichords. It was unstable, and would frequently not even recognize that a note was being played on the instruments. Suspecting a faulty unit or perhaps a faulty manufacturing run, I checked my V-SAM with some wind instruments. It worked fine. Several calls to Peterson tech support revealed that if I simply added an external microphone, the V-SAM would work great on the harpsichord. I tried hand held mics, clip on mics, and suction-cup mics, and nothing helped. The others had similar experiences.
Finally, I was able to talk to engineering at Peterson, and was advised that the V-SAM was never designed to work with instruments like pianos or harpsichords. They said the tuner was intended to be used with instruments that can sustain their tones, like violins and wind instruments.
I have since returned my V-SAM, as have all my associates. I want to stress that this is not really a fault of the unit...Peterson is a good company with a high quality product. The problem is that this design is not suitable with certain instruments that produce transient tones. Unfortunately, Peterson sales and tech support did not know this and led me astray. Likewise, most retailers simply parrot what Peterson says or implies in their sales capacity, and hence the bad information is kept circulating.
In my opinion the V-SAM is a fine product for most applications, but if you want to use it with instruments that produce tones that decay quickly, look elsewhere.


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Rocktron Banshee Talk Box Review

Rocktron Banshee Talk Box
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I bought this talkbox from Musicians friend here in Kansas city and I must say I love it. No tricky set up. You just simply plug in and play your instrument. I am a keyboard player and it makes my Yamaha DX100 sound amazingly great. I like the effects that you can do with the box. In the manual it is also explained very well about setting up. If you were to read the Rocktron description, it says that you can't distroy the driver. I have even spoken to a gentlemen at the company and he has said that he has turned up his box to the maximum volume. There is one let down in this review I do want to mention. I understand that guitarists have been using this effect. That's fine. I have no problem with that. But what about us keyboardists? Professional, and or hobbiests? Everyone is looking at this and saying that this can only be hooked up to a guitar, or bass. Wrong wrong wrong! This is also a talkbox for a keyboard. I mean sure, Roger Troutman, and Roger Troutman II have had different talkbox sounds, but, Roger Troutman II used the Rocktron when he recorded the second coming in 2000. So, don't look at this box just for guitarists, look at this box for keyboardists too!

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8/11/2012

Seiko SAT1100 Chromatic Tuner Review

Seiko SAT1100 Chromatic Tuner
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When I started measuring the cent deviations of certain musical notes, I first used the KORG OT-120 tuner.
After a while I noticed, that OT-120 diplays a too large cent deviation if the pitch is not exactly at the
center of the scale. Then I ordered a second OT-120, and that unit had the same reading errors.
Quickly I returned the second KORG OT-120 to the seller, the first unit is out of warranty already.
Fortunately I found that SEIKO model SAT1100 tuner.
The Seiko has a better microphone response, furthermore it has a much a better input filtering than the KORG OT-120.
Higly dynamic guitar string picking does not cause erratic needle movements and the reading is quicker to take.
Tuning to 1 cent accuracy is conveniently achieved.
The SEIKO SAT1100 does only offer equal temperament tuning. For other temperaments you must have the tuning pitch tables available. Since the needle pointer is very stable, tuning off scale pitches is as easy as it can be.
Other SEIKO tuners, eg. the SAT800 display the cents tuning deviation as digital needle pointer and additionally they display the value in digital numbers in steps of 1 cent. The analog needle of the SAT1100 allows for finer resolution,
watching small changes as they occur, while the LCD types jump from cent to cent but are easier to read.
The only negative comment I give is about the design of the SAT1100 case and cover and the lack of a good table stand.

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7/11/2012

Korg microSAMPLER Sampling Keyboard Review

Korg microSAMPLER Sampling Keyboard
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This sampler is the music tool I have been waiting for. finally a keyboard style sampler that you can bring anywhere and capture anything, no matter what style music you are into its a great tool for composing exactly what you want, I havent used it in a live situation yet, but it has been a great tool in my studio. Can't beat the price either.

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6/13/2012

Korg SV-1 Stage Vintage 88 Key Stage Piano Review

Korg SV-1 Stage Vintage 88 Key Stage Piano
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Amazon is, perhaps, not the best forum for this review, but what the hoo. I've done so many reviews here that i may as well not stop now.
I acquired this instrument about a month ago and have taken it through its paces (including updates). You'll read elsewhere that the SV-1's sounds are mostly superb with the minor disappointment being its organ sounds. I do agree with those reviews and because of the updates I've been able to replace some of the sounds. The two transistor organs (the Vox Continental and Farfisa) are history. I have no need for 'em. The 6 organ sounds I now use are three of the Hammond jazz type and three of the 3/4 to full bar/registration type. In essence I can go from Jimmy Smith/John Paul Jones cool to Jon Lord/Rick Wakeman thunder.
I haven't replaced the stock pianos (Yamaha C7 & Steinway) because they sound fine - not great but fine. I still recommend these ppianos because I've auditioned several hi-end sampled pianos and NONE of them sound like the real thing. About the only "electronic" paino I've heard that makes me shiver me timbers is the modelled piano Pianoteq. It's chock full of character, depth and warmth that simply cannot me "snapshot" sampled. At least Korg makes an attempt by using a "hologram" 3D sound concept. Which brings us to their electronic pianos.
The included clavs (a little thin but still recommended), the Fender Rhodes and Wurlitzer 200A sounds will make you **** your pants. They sound so realistic - warts and all - that it's scary. When you play a tune on one of the pianos then switch, for instance, to a Wurlitzer it's as if you've simply just played a real piano, turned on your bench to the right, and started playing a Wurlitzer. Eerie.
Much has been said about its digital effects and real tube sound. A keyboard with an actual built-in tube pre-amp/power amp. How cool is that? So far I've made this keyboard sound like the holy grail of stage pianoss, right?
It's of personal taste but some organ players might be turned off my the real weighted piano keys. They might also be turned off by the lack of drawbars. I'm confident that as more sound sets are developed by Korg, and as its editor gets improved upon, the shortcomings in the organ will be lessened.
Unlike, say, Korg's own M50, you need a computer to edit the internal sounds. Kinda inconvenient if you're not attached to one out in the field. It's, of course, impractical to build that many knobs/parameters into the SV-1. Korg is hoping that you'll simply edit the sounds to your liking at home then take it out on stage as is. That concept may or may not appeal to all. This particular keyboard suits me (and my band) perfectly because its focus is real organic sounds not synthesized ones. I actually did have the 73-note version thinking I wouldn't miss the other 15 notes from the 88 version - but I did. I couldn't live without the full piano-sized version. I felt like I was selling myself short.
So, really, just for the Wurlitzer and Rhodes sounds alone the SV-1 is worth the price. The 88-note Yamaha & Steinway is simply icing on the cake. Highly recommended.
P.S. One final but extremely important note. It doesn't matter how great your keyboard sounds if it's played through a crappy or inappropriate system. I've read where users have lamented about the piano's one-dimensional sound on a guitar amp. Duh! Actually, even through some keyboard amps, the sound is still lacking. In my home I plug the SV-1 directly into a pair of Alesis powered monitors (USB 520). The sound is excellent. Live on stage I plug into the mains so the sound is clear. I can't understate the importance of a good sound system. 'Nuff said.
Addendun: January 15, 2011. Oops! Amazon has a photo of the Korg SP-250 above instead of the the SV-1.

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6/11/2012

Korg nanoKEY 25 Key USB Controller Keyboard, White Review

Korg nanoKEY 25 Key USB Controller Keyboard, White
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The Korg Nano Series is, quite simply, among the most useful sets of tools ever produced for the COMPUTER... Let me say that word again: "COMPUTER."
I write, arrange and orchestrate music for a living. The nanoKey, in particular, is a lifesaver! It's portable, so I can stuff it into my laptop bag when I'm on the road. It works seamlessly with Finale, Encore and - my personal favorite - Sibelius (the "Big 3" of notation programs). It isn't as convenient for real-time sequencing, unless you've developed "the touch." It took me a while to get used to that, but I do play scratch tracks in Logic and Sonar, on occasion.
Anyone considering the purchase of this device should realize up front that it isn't really designed for stage performance, etc. It's best suited for computer entry. In fact, it's PERFECTLY suited for computer entry.
...and for fifty bucks it's WAY ahead of anything else!

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The nanoKEY is an ultra-compact keyboard controller, featuring a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key on this USB-MIDI controller can also be set to send MIDI control data, further expanding its power.


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4/27/2012

Pyle-Pro PKST50 Round Padded Keyboard Bench (Double Braced, Folding) Review

Pyle-Pro PKST50 Round Padded Keyboard Bench (Double Braced, Folding)
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We bought this stool along with a Casio digital piano. It is well made, love the round shape instead of a square as you can really turn around with it in the room. No nonse, does the work and pretty stable.
How ever, I just want to warn you that even so it looks dark grey on the picture, it is in fact black.


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4/08/2012

Korg KDM-2 True Tone Advanced Digital Metronome Review

Korg KDM-2 True Tone Advanced Digital Metronome
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but it doesn't do much more than the less-expensive Korg MA-30. That said, I like the KDM-2 quite a bit. It's an improvement on the KDM-1 (which I like very much also - it's just a more basic metronome), and similarly designed. The KDM-2 shares these features with the MA-30: tap-in beat; subdivided beats; 12 calibrated tuning notes (you can choose the exact tuning - A=440, 441, etc); mute button. The added KDM-2 features: son clave & rumba beats (3-2, and 2-3); choice of 4 different click sounds; LCD display; LED beat indicator; loud volume (I play trumpet & have no problem hearing the metronome), and tempo selection in standard metronomic increments (60, 63, 66, etc) in addition to +/- 1 beats (60, 61, 62, etc).
You should get the KDM-2 instead of the MA-30 if you need the extra latin beats, the different click sounds (at least one of which should cut through most loud playing, or possibly small ensemble volume) or the LED indicator (the light however doesn't seem as strong as that of the KDM-1). If these extras aren't enough, the MA-30 would be an excellent choice.

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The Korg KDM-2 is an easy-to-use, electric metronome that visually marks the tempo with remarkable accuracy, and delivers a powerful sound like never before.

Improved cylindrical resonator speaker This digital electric metronome delivers even clearer and more powerful sound, and Korg's acclaimed cylindrical speaker has been further enhanced with an improved resonator structure to ensure that it is easily heard. Even loud instruments will not overpower the unmistakable, clear sound of the Korg KDM-2. And with the KDM-2 you have the choice of selecting 3 different PCM sounds (cowbell/agogo/clave) for the beat, so you can choose which sound you want to compliment the instrument you're playing. The volume can also be adjusted to the most appropriate level. Since there's a PHONE jack built in to this electric metronome, you can connect a mini-plug (1/8") earphone, perfect for private practice.
Easy-to-see, large LED The START/STOP switch located on the top panel of the Korg KDM-2 blinks in two colors--red and green--providing for unmistakable visual indication of the tempo. The START/STOP switch is a great feature if you are looking to practice with a silent metronome.
A variety of beats cover even sophisticated rhythms From basic beats to variations like son clave and rumba clave, the KDM-2 contains a total of 19 beat patterns. You can set the tempo in any one of three ways. Full Step mode lets you adjust the tempo over a range of 30 through 252 in steps of one. Pendulum Step mode lets you set the tempo using the preset tempo settings, as on a mechanical metronome. and Tap Tempo lets you set the tempo by pressing the TAP switch at the desired interval.
Use the reference pitches to tune by ear Sound Out mode outputs a reference tone that you can use as a tuning guide. You can listen to any one of the twelve pitches from C4-B4. You can also adjust the A4 frequency (calibration) in a broad range from 410 Hz-480 Hz.
Memory backup function The KDM-2 provides a memory backup function that remembers the specified tempo, beat, calibration, and reference pitch, even when the power off.
Designed for stability and ease of use The large LCD screen on this electric metronome makes it easy to view the settings. An encoder-type TEMPO/CALIB dial and a Step Select switch provide quick and direct access to settings and functions. Featuring an original design that is compact yet stable, the KDM-2 is at home on your desk, your piano, or anywhere else.
Long battery life The KDM-2 is designed for long battery life. The electric metronome will continue marking an accurate tempo for approximately 120 hours of continuous use at a tempo of 120 beats per minute.
Three-Year Warranty Korg digital and electric metronomes purchased from a Korg USA authorized dealer now have a three-year warranty.
What's in the Box KDM2 Metronome, Four AAA Batteries, User's Manual

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12/13/2011

Korg nanoKEY 25 Key USB Controller Keyboard, Black Review

Korg nanoKEY 25 Key USB Controller Keyboard, Black
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The Korg Nano Series is, quite simply, among the most useful sets of tools ever produced for the COMPUTER... Let me say that word again: "COMPUTER."
I write, arrange and orchestrate music for a living. The nanoKey, in particular, is a lifesaver! It's portable, so I can stuff it into my laptop bag when I'm on the road. It works seamlessly with Finale, Encore and - my personal favorite - Sibelius (the "Big 3" of notation programs). It isn't as convenient for real-time sequencing, unless you've developed "the touch." It took me a while to get used to that, but I do play scratch tracks in Logic and Sonar, on occasion.
Anyone considering the purchase of this device should realize up front that it isn't really designed for stage performance, etc. It's best suited for computer entry. In fact, it's PERFECTLY suited for computer entry.
...and for fifty bucks it's WAY ahead of anything else!

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The nanoKEY is an ultra-compact keyboard controller, featuring a great-feeling 25-key velocity-sensitive keyboard that's ideal for song production. Each key on this USB-MIDI controller can also be set to send MIDI control data, further expanding its power.

The Korg nanoSERIES The Korg nanoSERIES provide a keyboard controller, a pad controller, and a studio controller with dedicated transport controls. Each of these USB-powered, slim-line controllers is designed to make the most of your valuable studio space, and is small enough to take with you on any musical journey. Place one of our keyboard controllers in front of your laptop, rest a pad controller on your music workstation, park a studio controller on your recording console--or anywhere else you need versatile control over your DAW, virtual instrument, effect or DJ software. Although small in size, all three nanoSERIES controllers go huge when it comes to functionality, yet their intuitive layouts provide extremely easy operation for any user.

nanoKEY--A Flexible MIDI Keyboard Controller That's Smaller Than a Laptop KeyboardWhen Korg set out to build a slim-line MIDI controller keyboard, they utilized their years of experience in manufacturing innovative MIDI keyboards to create a great-feeling, velocity sensitive keyboard based off a laptop keyboard. The resulting 25-note keyboard on the nanoKEY will transmit your playing dynamics to your software accurately and expressively. In CC (Control Change) MODE, the keys become MIDI controllers, allowing you to control any MIDI assignable parameters within your software.

The Octave Shift function offers immediate access to the entire MIDI note range. Pitch and modulation buttons are also provided, giving your performances the kind of expression that you would expect from any controller regardless of its size.

What's in the BoxKorg nanoKEY, USB cable, and Owner's Manual.


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11/11/2011

Korg TM-40 Large Display Digital Tuner and Metronome Review

Korg TM-40 Large Display Digital Tuner and Metronome
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This tuner/metronome is very well built and has a 12 note refrence. It works very well with my violin and I carry it with me to class and when I practice. The metronome has a loud beat. The tuner is loud so you can hear it over what you are playing. It has a large screen and is very easy to use. I recommend this to anyone that plays a string instrument.

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10/27/2011

Korg CA1 Chromatic Tuner Review

Korg CA1 Chromatic Tuner
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The Korg CA-1 is a chromatic tuner which allows you to tune in any key. It features a quarter-inch jack for input and a "+" and "-" key for tuning in another pitch close to what you're in. Say I was in G and wanted to go to G1. Hit the "+" button a couple times, and bam it's now calibrated for that pitch. It comes standard with a small condenser mic built in so you can tune a woodwind instrument, trumpet, acoustic guitar or small squirrel. Whatever you need to tune. Super simple and easy to use, Korg has a reputation for producing the best tuners on the market. Weather it's rackmount tuning you need or the cheap-o $20 CA-1 Korg has you covered. My first one worked until it was lost during a show. I am willing to put money down that it would have worked up until now when I needed to buy another.
To the review that says it's "Tinny" sounding...Dude, that's stupid. It's a tuner. It doesn't have an OUTPUT! You plug in your guitar or bass and tune. You can't say that a tuner has any kind of real sound, since you're not really playing through it. A stomp-box pedal tuner may sound "tinny", but that may only be because it might not be true bypass circuitry used. Anyways, this is a great product and completely mandatory if you play an instrument.

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10/26/2011

Korg CA-40 Large Display Auto Chromatic Tuner Review

Korg CA-40 Large Display Auto Chromatic Tuner
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I am not a musician, but I love "playing" the ukulele as a way to amuse myself and relax at the end of a long day. Unfortunately I have trouble tuning my instrument because I am not so blessed with a tin ear. I have trouble determining when I have my uke strings in tune. I can get close, but often an off pitch string sounds OK to me.
I really never heard of an electronic tuner before I discovered the Korg CA-40 as a recommended product based on my purchasing history on the [...]. The price tag on the thing was so cheap I thought I could buy one and gamble that it was a remedy for my problem tuning the ukulele.
The tuner arrived and I was amazed at how easy it was to use and how nice my ukulele sounded once it was tuned properly. The Korg CA-40 "listens" to a string and an easily read screen along with a series of lights tell me what note a given string is sounding. The device automatically shows if a string is sharp or flat so I know to tighten or loosen it on the way to the proper sound.
I read some reviews of the Korg CA-40 by real musicians and was quickly intimidated by jargon and comments I didn't understand. I thought the tuner might be something a genuine amateur would find overly complicated to use. Not so--actually the tuner is probably more useful to a novice with a dumb ear than to the pro with perfect pitch. This thing is a winner.


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With superior features like a large, easy-to-read, LCD needle-style display, the Korg CA-40 Chromatic Tuner is a highly functional digital tuner at a great value.

Wide Detection Range With a wide range that covers A0 (27.50 Hz) - C8 (4186.01 Hz), you can tune a variety of instruments with the Korg CA-40, including wind, string, and keyboard instruments. The pitch and range are detected quickly and accurately. You can use the built-in high-sensitivity microphone to detect the pitch of an acoustic instrument without the need for any other equipment. Alternatively, you can use the separately sold CM-100 contact microphone to send the vibration of the instrument directly to the tuner, so that you can tune accurately without worrying about other sounds in the environment. An output jack (bypass) has been added to this digital tuner, making it easy to check the tuning even while you perform.
Conveniently Thin and Compact The pocket-sized CA-40 features a refined design with a stand on the back that lets you place this digital tuner on any surface.
Large, High-Precision LCD Meter The CA-40's display has been enlarged for even clearer visibility. In addition to providing both the accuracy of an LCD and the easy viewing of a needle-style meter, red and green LEDs are also provided to indicate pitch deviations, making tuning smooth and easy.
Sound Out Function In addition to letting you tune visually using the meter, this digital tuner provides a Sound Out function that plays a reference tone through the internal speaker, allowing you to tune by ear. You can adjust the reference tone in semitone steps over a range of C4 through C5 (one octave) to accommodate a variety of instruments. Since the reference tone you specify is remembered, it's easy to sound it again whenever you need to.
Adjustable Calibration The Calibration function of this hand held tuner lets you adjust the pitch in 1 Hz steps over a range of 410 - 480 Hz in order to accommodate a variety of concert pitches, giving you the flexibility to tune accurately to any song or key. There's also a memory backup function that preserves the Calibration setting and Sound Out settings even when you turn off the power.
Auto Power Off Function The power of this digital tuner will turn off automatically if the unit is left powered-on for 20 minutes without performing any operation, avoiding unnecessary battery consumption.
Long Battery Life The CA-40 is designed for long battery life, and allows approximately 85 hours of continuous use (continuous A4 input, Meter mode, zinc-carbon batteries).
Three Year Warranty Korg digital tuners and metronomes purchased from a Korg USA authorized dealer now have a three year warranty.
What's in the Box Korg CA-40 Tuner, Two AAA Batteries, Owner's Manual

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